Production, studio and orchestral recording on location with the best microphones (Schoeps, Neumann, AEA, Coles, Brauner, etc.) and equipment (Millennia, Chandler Limited, Neve, Api, etc.)
MIXING:
• Analog and digital mixing: Solid State Logic summing, analog and digital hardware reverbs (EMT 240 plate, Orban 111b Spring, Lexicon, TC Electronic, Wem Copycat), best vintage analog and digital outboard (Manley, GML, Focusrite Blue 315, Tube Tech, Smart Research). • Formats: Stereo, Dolby Atmos (5.1 – 7.1 – 7.1.4 – Binaural) and Ambisonic. • Sound design and post-production for movies and commercials.
MASTERING:
Mastering with the best modern and vintage analog/digital technology, accurate monitoring system (ATC SCM 150 ASL PRO , ProAc Studio 100, Yamaha NS10, JL AUDIO Fathom, Bryston, Crane Song, Genelec 7.1.4 Atmos System)
• Audio Masters @ 44.100 16 bit for physical and digital distribution, high resolution files for HD audio (PCM or DSD) • Mastering from Stereo mix or Stems • Mastering for Vinyl • DDP Image for CD printing and PQ editing (tracklist, ISRC code, upc/ean etc.)